Annlee Ellingson·Aug 31, 2025CineWomen: Nisha Ganatra refreshes ‘Freaky Friday’Plus Kate Beecroft’s ‘East of Wall,’ Amy Berg’s ‘It’s Never Over Jeff Buckley, and Heidi Ewing and Rachel Grady’s ‘Folktales’ and ‘The…
Annlee Ellingson·Jul 30, 2025CineWomen 18: Jennifer Kaytin Robinson waxes nostalgic with ‘I Know What You Did Last Summer’…Plus Victoria Mahoney directs a sequel to ‘The Old Guard,’ Sophie Brooks says ‘Oh, Hi,’ and Karyn Kusama’s ‘Girlfight’ turns twenty-five.
Annlee Ellingson·Aug 1, 2024CineWomen: ‘The Fabulous Four’ flubs its linesPlus director Jocelyn Moorhouse’s debut ‘Proof,’ documentary ‘Sorry/Not Sorry,’ and my original review of ‘The Matrix’
Annlee Ellingson·Jul 31, 2023CineWomen: Greta Gerwig’s ‘Barbie’ is everythingPlus her first film as a solo director, ‘Lady Bird,’ ‘Joy Ride’ by Adele Lim, and ‘The Deepest Breath’ by Laura McGann
Annlee Ellingson·Sep 25, 2022CineWomen: Halina Reijn’s ‘Bodies Bodies Bodies’ isn’t your Gen X slasher flickPlus Lena Dunham’s ‘Sharp Stick’ and ‘Tiny Furniture’ and Věra Chytilová’s ‘Daisies’
Annlee Ellingson·Aug 1, 2022CineWomen: Olivia Newman gets bogged down ‘Where the Crawdads Sing’Plus her debut ‘First Match,’ Nathalie Álvarez Mesén’s ‘Clara Sola,’ Claire Denis’ ‘Both Sides of the Blade,’ & Kasi Lemmons’s ‘Eve’s…
Annlee Ellingson·Oct 1, 2021CineWomen: Sara Colangelo examines ‘Worth’ in big and ‘Little Accidents’Plus ‘The Mad Women’s Ball’ directed by Mélanie Laurent and ‘Real Women Have Curves’ directed by Patricia Cardoso
Annlee Ellingson·Sep 1, 2021CineWomen: Nia DaCosta works in classic Hollywood genres with ‘Candyman,’ ‘Little Woods’Plus ‘Respect’ by Liesl Tommy and ‘CODA’ by Sian Heder
Annlee Ellingson·Aug 1, 2021CineWomen: Cate Shortland gives ‘Black Widow’ the Bond movie she deservesPlus “Lore” by Cate Shortland, “Enemies of the State” by Sonia Kennebeck, and the films of Akosua Adoma Owusu
