Annlee EllingsonCineWomen: ‘The Fabulous Four’ flubs its linesPlus director Jocelyn Moorhouse’s debut ‘Proof,’ documentary ‘Sorry/Not Sorry,’ and my original review of ‘The Matrix’Aug 1Aug 1
Annlee EllingsonCineWomen: Greta Gerwig’s ‘Barbie’ is everythingPlus her first film as a solo director, ‘Lady Bird,’ ‘Joy Ride’ by Adele Lim, and ‘The Deepest Breath’ by Laura McGannJul 31, 2023Jul 31, 2023
Annlee EllingsonCineWomen: Halina Reijn’s ‘Bodies Bodies Bodies’ isn’t your Gen X slasher flickPlus Lena Dunham’s ‘Sharp Stick’ and ‘Tiny Furniture’ and Věra Chytilová’s ‘Daisies’Sep 25, 2022Sep 25, 2022
Annlee EllingsonCineWomen: Olivia Newman gets bogged down ‘Where the Crawdads Sing’Plus her debut ‘First Match,’ Nathalie Álvarez Mesén’s ‘Clara Sola,’ Claire Denis’ ‘Both Sides of the Blade,’ & Kasi Lemmons’s ‘Eve’s…Aug 1, 2022Aug 1, 2022
Annlee EllingsonCineWomen: Sara Colangelo examines ‘Worth’ in big and ‘Little Accidents’Plus ‘The Mad Women’s Ball’ directed by Mélanie Laurent and ‘Real Women Have Curves’ directed by Patricia CardosoOct 1, 2021Oct 1, 2021
Annlee EllingsonCineWomen: Nia DaCosta works in classic Hollywood genres with ‘Candyman,’ ‘Little Woods’Plus ‘Respect’ by Liesl Tommy and ‘CODA’ by Sian HederSep 1, 2021Sep 1, 2021
Annlee EllingsonCineWomen: Cate Shortland gives ‘Black Widow’ the Bond movie she deservesPlus “Lore” by Cate Shortland, “Enemies of the State” by Sonia Kennebeck, and the films of Akosua Adoma OwusuAug 1, 2021Aug 1, 2021
Annlee EllingsonCineWomen: Janicza Bravo brings #TheStory ‘Zola’ to the big screenPlus “I Carry You With Me” and “Jesus Camp” by Heidi Ewing, and “Pariah” by Dee ReesJun 30, 2021Jun 30, 2021
Annlee EllingsonCineWomen: ‘Wadjda’ director Haifaa al-Mansour returns to Saudi Arabia with ‘The Perfect Candidate’Plus Natalie Morales’s ‘Plan B’ and Eliza Hittman’s ‘Never Rarely Sometimes Always’Jun 1, 2021Jun 1, 2021
